Is the horsehead mask a sneaky alien trap to capture humans for surgical analysis?

This hike was a bust.” What a quitter! Ah well, is this another busted adventure? The gang could not have walked very far before finding the horsehead mask. Yet, they somehow thought they needed some kind of GPS or compass to avoid getting lost. This suggests that Lost Forest is not very large or that Rivera decided to omit about four hours of hiking between the Thursday and Friday strips. It begs the question: Shouldn’t they just keep searching? And I agree. Stopping now would be a drag. By the way, this plot has nothing to do with the environment or ecology, right? Whoah! This is the Mark Trail adventure strip. Why can’t Rusty get involved in environmental matters like his parents?

Let’s get to another of the issues, shall we? (I’ll leave you to discover another one.) In panel 4, Mark says “I don’t know, Ernie.” Ernie!? WTH? Mark has been talking to his own son, Rusty! Has Mark spent so little time at home that he forgot what Rusty looks like? We might be able to make that case for the pre-Rivera iteration of Mark Trail. Another possibility is that Mark’s brain is working slowly and is only now reacting to Ernie’s outburst in yesterday’s strip.

Nevertheless, Mark’s lame joke in panel 4 is a clear setup of things to follow. For those of us who might be misled by Rusty’s all-too-easy surrender, Rivera has taped a “To be continued” sign to panel 4.

Does Mark Trail suffer from Mighty Mouse Stress Syndrome?

Maybe the costume horse head came from the prop department of “The Late Late Show with Craig Ferguson,” which occasionally trotted out Secretariat, the dancing horse. Just a thought.

Yesterday’s reader commentary noted the suspicious omission of smartphones from the general discussion, in spite of Ernie’s apparent attempt to use a tracking app on his (I’m not sure why I forgot  his name the other day). The more important comment may have been the general dismissal or concern for smartphones in order to justify Mark’s intervention as he arrived to “save the day.” Taking on the role of hero is Mark’s calling, of course. He just can’t stop himself.

In Rivera’s version of Mark Trail, his attempts at heroic posturing often result in minor catastrophe or at least, setbacks. As I noted in the past, I think this is just fine. It makes him more human. In the pre-Rivera iterations, Mark was always just a trifle too righteous, too honorable, and too dang smug. However, many readers (I suspect) consider Mark’s current image has been pushed too far to the other side, making him appear more foolish than just more human. I think Rivera also kept the old “smugness.”

Did you see anything noteworthy in today’s strip?

Maybe Mark can use his compass to find (fill in the blank).

Well, at least we’re moving along. Mark trots out some “woodsman” wisdom, for little purpose. Sure, moss grows on the north side, most of the time. Flowers tend to lean towards sunlight, so they may lean south, some of the time. But you better hope it isn’t a snowy winter. Say, weren’t any of these kids ever scouts!?

Again, neither moss nor compass tells you “where you are”, only in what direction you may be heading. Big difference! I reckon that Rivera was never a scout, either. But I suppose if Mark’s main intention is just to make sure they are moving in one direction, then fine. But if you are not counting steps or marking trail (oh, I just made a pun!) as you go, then getting back where you started is not guaranteed. Still, this is just Lost Forest, not the Alaskan Wilderness. If we’ve learned anything, there are lots more people living in it or around it than we thought. Just yell. Somebody will find you. Maybe even Klingons.

When did “tag along” mean “I’m now the leader”?

The troop sets off to discover something that is possibly from another world. Truly, that’s a life-changing adventurous for any child.

But I’m sorry, there is much wrong here. “Aliens are technically nature,” spouts Rusty. What does that mean? Ignoring the primary definition of “someone from another country”, the relevant definition of alien is something not of our world (e.g., “Klingons”); so therefore, not “nature”. Something alien could even just be a meteor, but a crashed spaceship would be better.

Once again, the Moe-haired kid in panel two asks the necessary question:  How do you find something if you don’t have a route to follow? Doesn’t stop Mark from taking the lead (as he always tries to do). For his bona fides, he implies his pocket compass will help them find the site.

Again, I’m sorry. A compass does not “find” anything, except the Earth’s Magnetic North. It’s for keeping track of your direction of movement or for following a map. But it does not home in on crash sites when you don’t know where they are. Unfortunately, it seems doubtful that the kids will see through Mark’s flummery.

Mark Trail is everyone’s True North.” That statement in panel 4 is certainly debatable, but it also functionally conflicts with the purpose of Mark’s compass. True North is not the same location as Magnetic North (where a compass points). Magnetic North is not even a fixed spot. But Rivera is invoking a metaphor popular in religious circles where a holy leader is “the true north” for believers, the direction for moral and ethical behavior. I don’t think Rivera means to imply the religious aspect of that metaphor. Instead, I think Rivera suggests the kids should shut up and trust Mark. Like they did before.

The kids argue over Mark’s presence.

Robbie makes an excellent point, of course. None of the other kids showed up with their daddies (who all probably have stable jobs, anyway). Furthermore, the boys won’t be able to cuss or talk about girls with a parent along! But I covered this point yesterday (And that’s a pretty well-drawn Mark in panel 2).

I’m not sure that Rivera ever got around to naming all of the kids. The kid with the Moe haircut seen in panel 1 of yesterday’s strip is Ernie, son of Jeanette, who operates Planet Pancake. I think that the unnamed kid who says “Pfft”(behind Robbie) is selectively recalling events. The reason Mark saved them from the ‘gators is because he was responsible for putting them on the island with the ‘gators (cf January 2023). And there were no other adults around, anyway!

Finally, I hope you see the parallel drawn here with Rusty and Robbie in relation to Mark, right? That is to say, Mark and his own childhood nemesis (later turned grownup nemesis).

It’s always a Small Word in the Trailverse

I use MS Edge, so I went through its settings to see if there was anything to change. Nothing. I brought up Chrome and there was the Like button where it should be on the main page! Now I was really puzzled. Why Chrome and not Edge? After a lot of cogitation and throwing CDs at my heavily dented door, I had a wild idea and turned off Adblock just for WordPress. Lo and behold (as they say), the LIKE button now shows up on the daily blog! Man am I getting slow. Well, on to today’s Mark Trail strip:

Okay, put away any excitement for Cherry’s story as we return to Rusty and Mark. The Trails do move in their own, restricted circles. For Mark, it’s people like faux-Prof. Bee Sharp, Diana Daggers, Rob Bettancourt (Cricket Bro) and his brother, and finally his dad. For Cherry there are Georgia, Honest Ernest, Violet Cheshire, and various members of the Sunny Soleil Society. For Rusty, it’s his buds. Yeah, there is some comfort in familiarity, of course, but there is also tedium. At least here, we have Rusty’s friends. Most kids like to spend time with their friends, so it is only natural to see them reappear when the strip focuses on Rusty. So, we give Rusty a pass, but not his mom and dad.

I don’t get the gag in panel 4 about Mark being “worth waiting for.” Those kids were neither expecting Mark nor waiting for him. More sarcasm? Rivera is supposed to be expanding the Trailverse to allow other family members to get some of their own face time. So why does Rivera continue to redirect attention to Mark? Can’t these kids just have their own adventure for once (think of the movie “Stand by Me”), or at least hold Mark back until the kids get into trouble and need to be rescued. It’s time for the kids to start making their own decisions and mistakes.

The Week in Review and the Sunday Nature Chat

Were you by chance too busy this week to keep up with Jules Rivera’s Mark Trail? Fear not, dear heart, for having taken on the mantle of daily observer, analyst, and reactor, I can—nay, I must—catch you up. Such is my obligation and pleasure.

This past week the strip turned its focus from Mark to Cherry. Working one day (as is all too common) in the garden of the Sunny Soleil Society, Violet Cheshire interrupted Cherry with a handful of kudzu vine and a written note of scorn. Apparently, somebody left that fragment of invasive weed on her home porch with the note blaming Violet for apparently sponsoring its growth in her home garden. It was signed with a comic book nickname: “The Kudzu Crusader.” Of course, Violet assumed Cherry fashioned this presentation as some kind of childish prank. But Cherry denied being either being the author or perpetrator of this action.

I would have thought that this story would move on from the initial interrogation and response. In fact, most of the week’s strips were wasted on repeating this question-and-denial routine, in slightly different revisions. It wasn’t as if the issue was difficult to understand.

Other than my observation that Violet—surprisingly—expressed no knowledge of kudzu, this story started to languish. By Friday, Violet was finally ready to believe Cherry might be innocent, and now came to think that Cherry was being framed. If somebody wanted to frame Cherry, wouldn’t they have signed her name to the note?  But even Cherry began to accept Violet’s illogical “frame Cherry” theory. In Saturday’s strip, Violet was overtaken with Sherlockian zeal, ready to go on the hunt with Cherry as her Watson and find the real Kudzu Crusader.

At last, the story’s excitement level rises to a measurable level! It would be a shame to interrupt the plot at this point and chuck its momentum in the freezer, just to get back to Mark’s ambiguous storyline.

Now it’s good to use more plastic!? As happened last week, Rivera is once again linking the Sunday topic to the current storyline(s), which is a good idea. And as usual, her customized title panel is spot on. Rivera ingeniously takes advantage of the lanternfly’s wing markings to pick out the strip’s name. I would only add that the spotted lanternfly was first observed on the eastern seaboard but seems to be moving westward.

We’re finally moving on from the back-and-forth dialog!

I think I’m beginning to understand a few things:  Violet doesn’t know what kudzu is and calls it an “exotic” vine. I think we might assume she is not from the South or even the Midwest.

According to The Nature Conservancy, kudzu was brought into this country over 100 years ago from Japan and later deliberately promoted during and after the Great Depression to help minimize soil erosion. Little did they know back then! Also, the fact that Cherry has to actually state that she doesn’t like kudzu is like saying penguins don’t like to summer in Miami.

Nevertheless, we’ve had 5 days of Cherry and Violet more or less repeating the same dialog: “Why did you do this, Cherry?” “I didn’t, Violet! Why would somebody want to frame me?” Slow pacing is fine when the plot or information is complex. This is not the case. After the first day, not much new was introduced, making this long sequence unduly boring and unproductive.

Maybe these two should first be more concerned about removing the rest of the kudzu currently in Violet’s home garden, before it starts expanding into the surrounding forest. Then they can go into full Enola Holmes mode to find the true culprit. My money is still on Ernest (or maybe his wife, seeking revenge for the affair!).

What’s strange about Kudzu in the south?

Wait. How can a “suspect list” increase when there are no suspects to begin with? Perhaps the term “increase” implies we start with the Sunny Soleil Society?

Anyway, this focus on Cherry seems misplaced, but I’m working from a position of logic, or at least, reasonable assumption. When Cherry says she has no enemies, is she forgetting about Honest Ernest? Well, maybe she does not consider him to be her enemy.

Art Dept. I’ll give Rivera high marks for the drawing of Violet in panel 1. The pose and especially her expression are quite well done and believable, and matching the tone of her comment. It forms an interesting bookend with Cherry’s face in panel 4. It’s still a shame that Rivera does not integrate more interesting design perspectives in the strip like she used to.

Violet (Rivera) displays her lack of logic and focus

Sorry for the lateness of this post. Violet Cheshire’s comment in panel 2 just completely contradicted all of her prior statements about Cherry and the note. I was too flummoxed to continue.

Well, that’s only a half-truth. In reality, I got distracted by other matters. But when I got back to this post, I saw that Violet really did make that statement. So, this wasn’t just a late-night hallucination, after all.

Now in panel 1, we see another bit of illogic:  Why should the note attempt to frame Cherry when it wasn’t even signed by Cherry in the first place? If the narration box is meant to be an editorial comment, it reads as if Rivera was being influenced by Violet’s statements! Violet’s passive-aggressive dialog is doing nothing to move the story along, except to extend this pointless issue of Cherry’s personality.

What’s the point here? Is Rivera really concerned about establishing the authorship of the note or more concerned with pushing a “reality TV” melodrama of manufactured confrontation?

I suppose this could be yet another marketing ploy from Cherry’s second-place antagonist, Honest Ernest. We haven’t heard from him for a while. Perhaps he and Violet had a falling out after the revelation of their affair. That could be a driving motive for this anonymous note. Or maybe the prelude for another Honest Ernest toxic chemical creation.