Hmmm. AI is a timely enough plot device here, but I think, for all of his self-assumed brilliance, Sid is behind the curve. Everybody in the real world knows AI is being used to generate fake news, fake student papers, and fake conspiracies. But, maybe in the Trailverse the inhabitants are still getting used to no longer being stuck in the 1950s. It’s a lot to process in a short time!

As for Jeb’s little plight, bunk! Now that Mark knows, he’s also a marked man. Here’s a suggestion, Jeb: Take the back way out.

Sheesh! Making friends with a brown bear. “Gentle Jeb”, is it? Yeah, I know. Gentle Ben was the bear in that 1960’s kid’s TV show, but I won’t pass up an obvious reference. I’ll pass on Grizzly Adams. Oh dear, I feel like I’m being pulled to the Dark Snark by forces beyond my control. I’m doing my best to look at this dispassionately. Really, I am.

So, there is an effort here to move the story along by explaining the reporter’s disappearance and the motives behind it. But every panel today is a source of ambiguity: First, has everyone really been looking for this flake? Jeb’s own testimony in panel 3 seems to contradict Mark’s platitude. Second, what truth was Jebediah looking for? Clearly, he was not ready for the truth, and I don’t think that was covered in Mark’s briefing for this assignment. Third, who are the “they”: Sid and some of the guests or Sid and some staff that we haven’t seen yet? Fourth … well, you fill that one in, if you wish.

So it looks like Mark’s assignment just took another left turn, which might wind up reprising the “sneak into the office to get the goods” dodge he pulled while in Palm Springs investigating Cricket Bro’s operation.

Ow! Stabbed in the back again! Rivera tries to get cute by having Mark respond to the narration box in panel 1, as if it actually is his own thought. Actually, that is kind of clever, but not here, not now.

The big stab comes as Rivera pulls the rug out from under her suspenseful buildup and returns to her comfort zone of farce. Farce has its place and I enjoy it, but once in a while I’d like to see some actual drama play out here, without oddball jacks-in-the-box popping up or suffering Rivera’s inexplicable reliance on retreading the same opponents, over and over, like the 1960s Batman TV show and its rotating list of villains. Okay, so Jebediah Jeter is a “new” member of the troupe. Journalist? He looks more like “Jebediah Jeter, Professional Hobo.” And he has to portray another joker familiar with Mark and his work. Small world.

So what the hell has Jeter been doing, wandering around the woods for the past several Trailverse days or more? After all, he went missing before Mark was even called to take on this assignment.

Good, this adventure is turning into a classic mystery. And our shipping tycoon finally floats back to the surface for a moment. Mark conducts his search with a bright flashlight, so I suppose that stealth is not a priority for his investigation. Just as well, since he’s also been talking (or “thinking”) out loud to himself. Rivera has not gone with the traditional thought balloon. As we know, Rivera already relegated the thought balloon to its new role of showing a “reference image” for what is being discussed. While this function has merit, it does mean “thoughts” become another problem to portray in a comic strip. Should a dialog balloon also function as a thought balloon? We are left with this weird vision of Mark talking to himself, a situation sometimes diagnosed as a symptom of a mental illness.

Granted, Rivera needs to reveal additional information for the sake of the story. Maybe, for once, this would have been better handled by using narration boxes rather than dialog balloons. They would not be obtrusive but would help maintain the air of secrecy and silence that a night-time investigation normally requires. And they would make Mark look less weird.

Normally, when characters talk to themselves, the artist uses a thought balloon, not a dialog balloon, as we see here. If this was a 1940s film noir—think Double Indemnity, where Fred MacMurray confesses his participation in a murder told in flashback—Mark would here be reflecting back on how he broke the case of an attacking bear and uncovered a sinister plot. But, this is not a flashback. So who is Mark talking to?

Based on Mark’s research, the obvious next question is So why are these losers here? And how will this trip salvage their crumbling careers? Riffing again on film noir, maybe that narcissistic rich boy who owns the resort invited them here so one person has a chance to gain favor and funding by fulfilling some really difficult task or puzzle. Of course, this type of story usually involves one of the hopefuls getting rid of the competition to better the odds. Can anybody say “booby-trapped cliff”?

Now if this turns out to be the way this story is going to develop, it could be an exciting adventure!

Nothing says “diving deeper” better than climbing a hill!

Okay. Today’s installment makes less sense to me. First, how can Mark be staying late when last we saw, he was home with Cherry? Did I oversleep for a week? Second, who said this was a resort for the rich? It is supposed to be a retreat for STEM professionals. That could mean teachers, too. Third, when and how did Mark check into the financials of the residents? Fourth, Mark’s “faces” balloon in panel 2 fails to display the shipping owner and his assistant, who were present when Mark first showed up. Don’t they count, or did they check out immediately after Mark arrived? Fifth, why is Mark searching through the hills at night if the issue is financial? Does he expect to find a hidden workshop printing counterfeit thousand-dollar bills?

Any answers or explanations, other than Rivera must have been cuckoo or stoned?