[Revised] Art Dept. In spite of the fact that Rivera decided to go with a two-panel layout again, the panels look crowded. On the other hand, Rivera alters our viewpoint from panel 1 to panel 2, reinforcing the narrative as we move from the observers’ location to what is observed (the AI data center). It’s a small detail we might take for granted, but it is good visual storytelling technique.

Now, is that building really an AI data center or maybe just a company workout gym? Hard to say and I don’t really see how Diana can make that identification without getting into the building, itself. Unless that building has a sign that reads “Tad Crass’ Secret AI Data Center.”

I reckon we’ll have to watch the story play out more. It should be just about time for Mark and Diana to get discovered by roaming guards who will bring them into the data center where Tad Crass will tell them they were expected and have been tracked by AI-driven security cameras all along. Or something like that. I’m also starting to wonder whether the wild horses really have anything to do with Diana’s mission, other than to gain Mark’s assistance.