The Week in Review and the Sunday Nature Chat

Two hands clapping to commenter Daniel for his clever geographic pun in Saturday’s comments. Moving on to this story’s progress: Mark revealed to Sammy Spotter that he found a camera and a production script in the mansion, both of which might hold clues to Wesley’s whereabouts. Mark said nothing about the lions to Sammy, which is surprising, given their physical and geographical status.

Sammy’s review of camera photos led them to a nearby cave on a nearby waterway, suggesting Wingit might be inside. This hypothesis was reinforced by notes in the production schedule. Whether Sammy should have had his own copy of the production schedule was never brought up. In any event, they discussed the situation while at the cave’s entrance, whereupon Mark found some keys he believed were for the mansion. This was more confirmation for their cave hypothesis. And then crazy set in.

Mark realized it was time to pick up Rusty from his surfing lesson! That’s strange, as earlier in the story, Mark was content to let Rusty stay on his own at the hotel. But he didn’t mind letting Wesley sit/float/sink in his cave while he retrieved Rusty. Sammy thought this was odd. So do I.

This brings up an important point: Is Mark taking this assignment seriously or maybe just doesn’t know how to set priorities? The situation sounds ludicrous:  Mark investigates a house filled with lions while his son takes a surfing lesson near (I presume) their hotel. In the middle of his assignment, Mark has to leave to get Rusty (But what if the lions ate him!?) and then bring him back to the site of the mansion. Now all three of them are going to explore an unknown water-filled cave to look for Wesley Wingit. What could possibly go wrong with that!?

Today’s nature supplement is straightforward and interesting. The normally customized title panel has a sleek look to it. Heck, Mark even forewent the usual lame-o bad pun ending for an acceptably groaning dad joke. Still, it’s an improvement.

Don’t worry, there’s plenty of time to deal with Wesley!

Okay, so being trapped in a cave is not a really big deal for Mark, huh? We can interprete his behavior in different ways:

  1. Mark is a super dad and cares for his own kid above anybody else, even his assignment
  2. Mark is an irresponsible dad and thinks it is just fine to bring Rusty into a possibly dangerous environment
  3. Mark figures Wingit made his own mess, so feels no great responsibility to save him
  4. Since Wingit is no longer in the mansion, Mark’s primary mission is complete, anyway

Who knows which is right and whether another reason will float to the surface of this turgid pool?

Art Dept. Today’s strip displays signs of assembly line drawing, though I might be misreading things. Mark’s face in panel 2 looks like it was put together from stored parts, like an identikit or Mr. Potato Head, especially the mouth, which doesn’t quite fir the angle of the face. By the way, Mark’s watch in panel 1 disappears in panel 3. In fact, panel 1 is the only time Mark’s watch has even appeared.

Less obvious is the “lineup” composition that Rivera likes to use (panel 3) for groups. You can find numerous examples in the strip if you care to go back and review. Of course, part of the reason for this is important: Rivera needs to visually clarify which characters are speaking in a group. One downside is that the composition can sometimes look unnatural and awkward.

Today, Mark and Sammy stand side-by-side in the foreground, talking to Rusty and the surfing instructor standing in the middle ground. This arrangement forces Mark and Sammy to look back over their shoulders.  Clearly, a more realistic and still clear composition would have been to show Mark and Sammy facing Rusty, with their backsides to us. Not a difficult composition, even for Rivera.

Also, how and why did Rusty change his clothes from the relatively short time ago when he began his surfing lesson?