Mark does his imitation of Honest Ernest

To get this out of the way, today is just rubbish in terms of story development. Mark inexplicably thanks Cherry again for the ride then immediately jumps into how wonderful a guy he is. A “guardian” he calls himself? What qualifies him as a guardian of a manatee when there are scores of professional marine biologists at hand? Maybe he means “bodyguard.”

Mark seems to have an overstated sense of self-worth and importance. I’m not sure where the narcissism comes from, since we have not seen much of this behavior in the past. What is Rivera’s motive here? Maybe, just maybe, Mark is being portrayed as sarcastic, but we’ll need to see some evidence for that interpretation. But this is the kind of annoying boasting that leads to embarrassment and failure. In fact, this is generally how Honest Ernest is portrayed.

Art Dept. Today’s drawing is nowhere near as sad as yesterday’s. With the exception of the mirror and door handle, panel 1 is actually well composed and drawn. The angle of the truck and proximity of the interior is close enough to easily see Mark and Cherry while still leaving room for dialog. It helps that panel 1 is a double-wide. Panel 3, however, is another story. Both figures are way too small in scale for the truck. In fact, Cherry looks really bulimic.

Mark packs a business suitcase but still dresses like a lumberjack.

An all-too-common complaint is Rivera’s supposed lack of artistic ability. I don’t believe that. I think it is deliberate. We have seen many some examples of finely crafted panels. However, today is not one of those days. The everyday banality of the scene, itself, is perfectly fine and hardly different from similar pre-Rivera scenes, except for the difference in Cherry’s attitude. It’s nice to see that Cherry is not the mewing, tearful housewife of “the old days.” Rivera’s attempts to create “greeting card” maxims (panel 3) is the only real jarring text.

Art Dept. Here is where, once again, I am perplexed and frustrated. From the cabin bedroom in panel 1 to the outdoor scene of panel 3, if you removed Mark and Cherry, I’d almost swear I was looking at panels from Snuffy Smith and Li’l Abner. Well, maybe not quite that good. Panel 3 is especially galling in its crudeness. It makes me wish Rivera would go back to using clipart and tracings. Is this another case of “Gotta go, surf’s up.”? Or maybe a challenge to the syndicate to see how much she can get away with? This is the kind of stuff that draws out regular scanner, Mark the Contrarian Commenter. Except that I stole his thunder.