It’s amateur night at La Guardia Airport as Mark attempts to coax Bill Ellis into paying for a wacky article he thinks he could write about the AI World. For some reason, Ellis seems reluctant. That’s difficult to see, given that one of Ellis’s magazines is Teen Girl Sparkle, for whom Mark wrote an article on Cricket Bro and his corrupt business dealings in California. I mean, Mark’s idea about AI and the people behind it is at least TMZ-quality subject matter! Is Bill Ellis an AI investor!?

Speaking of which, we sure haven’t seen much development for Jules Rivera’s original Mark Trail/Bill Ellis reboot, whereby Mark would write articles for various magazines in Ellis’s publishing empire. It was an idea that could have provided a wide variety of assignments, expectations, and different editors to coordinate with. But after five years, we’ve only seen three editors, two of them, only once, as I recall. Looks like a dead issue, so to speak.

Art Dept. Rivera’s sketchy, flat drawings and lack of lighting continue to downplay any sense of actual drama (not that there is anything especially dramatic in today’s exchange). Real drama always seems less a priority than Batman-on-TV campiness. I’ve never agreed with this extreme approach Rivera decided on, given that most comic strips are based on superficial, forgettable jokes. But when scanning over Rivera’s Mark Trail strips, it would be hard to not believe Rivera has been treating this more and more like a gag-a-day comic strip that happens to have storylines.

And then there is the ongoing transformation of Mark from a 30-something person to a 20-something person. But that’s for another time.