Mark wins the campsite argument, with a bit of help

I reckon that if they didn’t talk so much, we’d have a better view of those storm clouds hiding behind the dialog balloons. At least some are peeking out in panel 4. Higher ground is usually a good strategy to follow in a situation like this, especially with a slight rise to assist in minimizing standing water. But what is this ground they are moving onto? It looks like clay or dirt, with no vegetation at all. Or is it rock? A dirt or clay ground probably would not be the best place to pitch tents in a storm.

Now, what about those kills? Are they being left where they fell? Taking any home for more pork chops? A small detail, perhaps, but leaving them on the earth will almost certainly render them useless for butchering later on. About as useless as Shania and Reba, who don’t seem to contribute very much.

Art Dept. Did you notice how Mark can quickly move from one person and space to another? He’s like The Flash! In panel 3, he’s standing beside Tess Tigress, as she once again derides his cautious attitude. In panel 4, Tess relents, but Mark is already standing beside Venus Verité in the distance. Well, perhaps it is really just Tess who moved away from Mark and Venus, before deciding to go along with the plan. Not the Flash, after all.