BAF!? Did Honest Ernest really give Cherry a BAF!?

Did Honest Ernest just physically push Cherry!? That isn’t what the text says, but is implied by the aggressive “BAF!” sound effect we see in panel 4. “BAF!” is a curious term, not normally used to represent physical contact, like “BAM!”, “POW!”, “ZONK!” and other Batman-like sound effects. I couldn’t find it online, even as a slang term.

However, “BAF” (“Burbank Athletic Foundation”) is used in the context of a punishable infraction (like a BAF Suspension) for such actions as pushing, shoving, or tripping players in various athletic contests. Just a coincidence, perhaps, or a term that Jules Rivera might have overheard and had in her memory bank
(This is just another example of the kind of extra duty deep dive effort you get at this site, beyond mere criticism. I support the “SNORE”—snark and more— standard.)

Anyway, if Honest Ernest really did push Cherry out of the way, then if Cherry doesn’t deck him, I look forward to seeing her more aggressive sister, Olive, stepping up.

Art Dept. Yes, the recital hall in panel 4 is ridiculously out-of-proportion not only to the figures in the foreground, but to path it sits on. But maybe that is really just a decorative object, reflecting the actual recital hall.

“Law? Law!? We don’t need no stinkin’ Law!”

This brings back the good ol’ days in Lost Forest, with Cherry and Honest Ernest getting into another one of their wholesomely obstinate arguments. What great times they were! And aren’t these two just too cute!? I’m waiting for Cherry to remind Ernest what happened the last time he tangled with bats. (Cue the laugh track)

At least Cherry got around to finally bringing the law into the argument, which Honest Ernest unsurprisingly dismissed. I wonder if Violet Cheshire is going to finally make an appearance and have her say. Ranger Shaw could settle this, but he’s too busy tearing Cricket Bro a new one back in the Peligroso cave.

This looks like a good time to pull out the weed claw!

Perhaps some pillow talk took place with Violet, resulting in getting Honest Ernest read into this story. It doesn’t sound as if he was specifically hired, so much as he is volunteering (once again). But why is Jules Rivera redoing the bats in the recital hall plot? Perhaps she has a “Some people never learn” moral she want to promote. It does seem odd that the characters act like this is not a story replay; especially Honest Ernest, whose last attempt at bat removal sent him to the ER to get anti-rabies shots from a bat bite. Now, if he gets too close to Cherry, she might wind up biting him.

But Cherry’s response in panel 2 is ambiguous and sounds like it is more a personal choice than obeying an existing law. She could simply have said “The law says we can’t move the bats until the babies can fly!” Not sure that Ernest is that much of a law-and-order kind of guy, but at least he would know the situation better.

Cherry gets back to work. SOMEBODY has to pay the bills!

While Mark gallivants around the region helping his dad and cosplaying a cave rescue expert, Cherry is “collecting” weeds. What does that even mean!? Does Cherry keep scrapbooks of weed samples? I’m suspicious. Anyway, one pulls weeds and then gets rid of them. With the amount of weeds Cherry has pulled, you’d think that she’d have a wheelbarrow on hand. Well, it’s her back, not mine!

It appears that Violet Cheshire has once again retained Honest Ernest and his funky, rusty, chemical sprayer in order to … let me guess … spray the weeds? Perhaps this also means that she and Ernest are still meeting on the sly, with Violet’s husband none the wiser. The sap.

But Cherry the Martyr—I mean Cherry Trail—continues to recognize and extend courtesy to Honest Ernest, in spite of what he’s tried to do to her and to Mark. It is amazing that the two could be within speaking distance of each other without Cherry trying to stick a weeding claw in his neck.

I suppose we’ll have yet another story about Violet hiring Ernest to do something she already paid Cherry to do, or to do something that conflicts with what Cherry is trying to do. Ho hum-drum. This could be a golden opportunity for Jules Rivera to widen the playing field by having Cherry get pissed at Violet and quitting. Then she could restart her independent landscape business and get jobs and new plots from other people in the area, like she originally did before meeting Violet. But she won’t.

The Week in Review and the Sunday Nature Chat

We had an action-packed week, for sure. Wait, I’m looking at my calendar. Sorry! As for Mark Trail, well, the cave crisis continued. The week began as Mark and Cherry traded “married jokes” at home, only to be interrupted by a phone call from Diana Daggers, which sent Mark to Cave Rescue Battle Stations. Also, a moment of science-fiction possibility surfaced on Tuesday, only to be ignored thereafter. You can check out that strip and my discussion for details.

Mark arrived at the cave, dressed and outfitted for what he thought would be a simple rescue, pulling somebody up from some hole they must have fallen into. Instead, when he saw the actual situation at hand (Cricket Bro being stuck in a collapsed part of the cave floor), Mark was immediately stymied! Why? Mark explained to everybody that the situation was likely due to a weakened limestone floor because of water damage from below. And it required special tools he didn’t have or bring. The Bottom Line: Amateur Hour was over and it was time to call in the real cave rescue experts.

But those “experts” turned out to be Ranger Shaw and some purple people. Instead of asking how Cricket Bro was doing or if he felt as if the floor was giving way, Cave rescue expert Ranger Shaw berated him for ignoring the danger sign he posted. Mark got in his licks, as well. But then, Cricket Bro suddenly fell through the floor and disappeared into the darkness of an underground river.

Just kidding. Sorry to say that Cricket Bro is still stuck in the cave floor. But any actual drama you might expect (in another context) is missing here, as Rivera predictably leaned into adventure strip parody.  Anyway, that’s the week in Mark Trail.

Jules Rivera carries on the tradition (at least going back to James Allen) of often linking the Sunday topic to the current storyline. In fact, this is the second Sunday cave talk posted for this story, though the first one focused more on the wildlife found in caves.

The title panel here is certainly unusual, due in part to the color scheme. I’m guessing that the strip’s title is built up from the water drops Mark mentioned that form stalactites.

Ranger Shaw—?! I thought Mark was calling in professionals!

I wonder where Diana Daggers has gotten to? All I see are more purple people showing up. Once again, she is stuck playing a bit role. That’s a shame, as the character had lots of potential.

Jadsen’s excuse of linguistic ignorance is not surprising, but lacks veracity, since Diana did warn the two brothers about the danger. Meanwhile, intrepid cartoonist Jules Rivera continues to make this cave rescue into another farce instead of a serious misadventure.

Then again, anything involving Ranger Shaw is, itself, a bad sign. I’m not sure if Rivera sees Shaw that way, but all of his dealings in this strip seem to have been underhanded, corrupt, or just incompetent. Thus, it is possible that Ranger Shaw’s efforts may actually make things worse! That could add another few weeks to the story.

As for Rivera’s comment in panel 2, score another put-down of her bread-and-butter.

Chill out, Mark!

And there we are: the sometimes arrogant, overconfident Mark Trail who thought watching YouTube videos of cave disasters would help prepare him for his secondary job of “Cave Rescue Man” at least has enough integrity to realize he is in over his head. Instead of bluffing through it, he decided maybe the professionals would be the better call. I’m guessing this retreat by Mark won’t improve Diana Daggers’s reputation with Cricket Bro. Perhaps Mark should spend more time watching videos on how to be a better nature journalist and photographer.

Still, aren’t there enough tools on hand? They have ropes to tie around Cricket Bro to prevent him from falling farther down. Then it would be a matter of chipping around his torso a bit to pull him out. But did Mark bring a shovel or pickaxe as I had earlier hoped? No? Oh, Mark, you didn’t watch enough videos, I reckon.

I think today’s installment is something of a disconnect: The dialog that Mark delivers is even-toned and mostly unemotional. But it is in direct contrast to the panicked expressions I see on his face. In fact, panel 4 shows us a Mark Trail that is on the verge of flipping out, which is not the kind of reaction you want to present to people expecting you to help them.

This contrast just seems strange to me. One theory may be that Mark noticed the cave crisis is being recorded, so he’s hamming it up, just like the people he sees on Reality TV shows. Or maybe the comics syndicate didn’t like the dialog that Jules Rivera had originally added, so they toned it down for family consumption.

Cricket Bro: He doth protest too much!

Well, it looks like Jadsen (Crypto Bro) is still recording the incident, after all (panel 3). Perhaps Jules Rivera doesn’t want to make him to appear as too much of a doofus.

But in a holdover from the prior Trailverse, Captain Obvious informs everybody what everybody already knows, unless Mark is simply verbally expressing his own realization of what happened: That Cricket Bro’s butt-cheeks are too big to pull him out of the hole he has gotten himself stuck into.

This doesn’t seem like the kind of cave rescue Mark has been watching and pining for. It’s really more of a plumbing problem. Hopefully, Mark has a hammer, shovel, or small pickaxe on hand to enlarge and unclog the hole Cricket Bro is stuck in. But will this lead to a bigger problem, such as Cricket Bro falling through, or maybe an unseen water source suddenly filling the cave? Otherwise, this could be a really short story.  I’m guessing something is going to happen to complicate the situation.

That’s it! The Reuben nomination goes back into the drawer!

What a drag! Not only did Mark not pass through that wonderful oculus we saw yesterday, but Jules Rivera simply returned to using her standard “portrait tondo” for indirectly displaying the person speaking.

Shockingly, Mark is being especially reckless with his equipment, like an ignorant parent who puts a young child in the front seat. Not only is the backpack unzipped to expose its contents, but it is not even secured to the seat by a seat belt. It belongs in the trunk. Any hard turn, emergency stop, or even a big bump can send that equipment falling or bouncing around the front seat area. Some of that stuff could even interfere with Mark’s ability to safely operate his car. What an amateur!

And just look at this dude!(panel 3) Is he on Speed or Meth!? Egads! Reckless with equipment and sporting a maniacal expression that would scare a drunk driver off the road. All the while, he dispenses contradictory puns, to boot. All bad news. I wouldn’t let Mark come within a hundred yards of me. “Just keep driving, Mark. Maybe the State Police will pull you over, take one look, and lock you up.” So I question why Rivera chooses to make Mark act and look like this. If it isn’t drugs, is he channeling Jim Carey!?

Still, I wonder if Mark took the trouble to call on Ranger Shaw for backup or even just to update him on the situation?

Art Dept. Speaking of the interactive oculus portal, I think this strip would increase in popularity with a bit more of that weirdness. In the early days of animation, the early cartoons of Felix the Cat were inventive journeys into surrealistic fantasy, where any element on the screen, including exclamation points, could be grabbed by Felix and turned into whatever object was needed at the time. It was a dux ex machina strategy that made the animations more fun to watch. A bit of that could certainly improve this strip.

Sci-Fi finds its way into the Trailverse!

So the circle of cause and effect is complete, including the unusual oculus in panel 3, which is actually intriguing from a science-fiction angle. More on that, later.

But before all that, it’s good that this story is moving along at a rapid pace, since there isn’t really much depth or content at stake here. It’s a simple morality tale of what happens when somebody believes their actions don’t have the possibility of bad consequences. In this case, it is not simply disregarding posted safety warnings, but believing nature hold no dangers to those who choose to disregard them.

In the “old days”, natural disasters were usually credited to the capriciousness of deities by people who were trying to make sense of chaos. Or, in the case of this cave incident, Cricket Bro’s entrapment might have been seen as actions by trolls or demons pulling Cricket Bro down to the Underworld because he must have trespassed or transgressed some sacred or mystical law. Regardless of our scientific advances, people still do stupid things, and people still have unlucky accidents.

Art Dept. That oculus in panel 3 linking Mark and Cherry to what’s going on in the cave is something of a new element in this strip. Typically, we would see a kind of dialog balloon leading to the phone of the person talking:

But what we see in today’s strip is something more, something different. Something rather cool and provocative. First, the oculus (as I am calling it) is free-standing, without a visible connection to the phone. Second, Diana Daggers is holding onto the rim of the oculus, with her glove extending into Mark and Cherry’s space! Third, not only is Mark looking at the oculus instead of his phone, so is Cherry! It’s like a physical portal connecting one location with the other. One could imagine characters actually crossing between the two locations (I’m thinking Stargate SG-1).