There seem to be some people missing in action; Diana Daggers being one. We can see Jadsen in the background in panel 1 recording video, along with the purple people who are supposedly there to help Range Shaw rescue Cricket Bro. Behind Jadsen and the purple people appears to be a lake; something that has not been depicted in this location previously. Perhaps the angle was wrong or something.

Why is Ranger Shaw taking such a long time to carve out the rock around the stuck Cricket Bro? Limestone is not a hard rock to cut. Maybe it has to do with the fact that the limestone is in multiple layers and liable to fracture and make things worse. On the other hand, I’ll repeat that a block and tackle or plain everyday rescue rope could have been used to pull Cricket Bro out, towards the entrance. I’m also surprised that Jules Rivera didn’t have Ranger Shaw and his helpers putting ropes around Cricket Bro to ensure that he doesn’t accidentally fall through if the floor opens up on him. I’m even surprised Mark didn’t come up with that idea.

For some reason, Ranger Shaw is hot to contradict Mark (panel 3), or maybe just stop his line of discussion for some reason that I expect we’ll learn about tomorrow. Mark may as well go home, since the cave rescue team is on the job and his weight only adds to the danger of another floor collapse. At the very least, he and Jadsen should be told to move up to the entrance, along with the others.

I wonder where Diana Daggers has gotten to? All I see are more purple people showing up. Once again, she is stuck playing a bit role. That’s a shame, as the character had lots of potential.

Jadsen’s excuse of linguistic ignorance is not surprising, but lacks veracity, since Diana did warn the two brothers about the danger. Meanwhile, intrepid cartoonist Jules Rivera continues to make this cave rescue into another farce instead of a serious misadventure.

Then again, anything involving Ranger Shaw is, itself, a bad sign. I’m not sure if Rivera sees Shaw that way, but all of his dealings in this strip seem to have been underhanded, corrupt, or just incompetent. Thus, it is possible that Ranger Shaw’s efforts may actually make things worse! That could add another few weeks to the story.

As for Rivera’s comment in panel 2, score another put-down of her bread-and-butter.

And there we are: the sometimes arrogant, overconfident Mark Trail who thought watching YouTube videos of cave disasters would help prepare him for his secondary job of “Cave Rescue Man” at least has enough integrity to realize he is in over his head. Instead of bluffing through it, he decided maybe the professionals would be the better call. I’m guessing this retreat by Mark won’t improve Diana Daggers’s reputation with Cricket Bro. Perhaps Mark should spend more time watching videos on how to be a better nature journalist and photographer.

Still, aren’t there enough tools on hand? They have ropes to tie around Cricket Bro to prevent him from falling farther down. Then it would be a matter of chipping around his torso a bit to pull him out. But did Mark bring a shovel or pickaxe as I had earlier hoped? No? Oh, Mark, you didn’t watch enough videos, I reckon.

I think today’s installment is something of a disconnect: The dialog that Mark delivers is even-toned and mostly unemotional. But it is in direct contrast to the panicked expressions I see on his face. In fact, panel 4 shows us a Mark Trail that is on the verge of flipping out, which is not the kind of reaction you want to present to people expecting you to help them.

This contrast just seems strange to me. One theory may be that Mark noticed the cave crisis is being recorded, so he’s hamming it up, just like the people he sees on Reality TV shows. Or maybe the comics syndicate didn’t like the dialog that Jules Rivera had originally added, so they toned it down for family consumption.

Well, it looks like Jadsen (Crypto Bro) is still recording the incident, after all (panel 3). Perhaps Jules Rivera doesn’t want to make him to appear as too much of a doofus.

But in a holdover from the prior Trailverse, Captain Obvious informs everybody what everybody already knows, unless Mark is simply verbally expressing his own realization of what happened: That Cricket Bro’s butt-cheeks are too big to pull him out of the hole he has gotten himself stuck into.

This doesn’t seem like the kind of cave rescue Mark has been watching and pining for. It’s really more of a plumbing problem. Hopefully, Mark has a hammer, shovel, or small pickaxe on hand to enlarge and unclog the hole Cricket Bro is stuck in. But will this lead to a bigger problem, such as Cricket Bro falling through, or maybe an unseen water source suddenly filling the cave? Otherwise, this could be a really short story.  I’m guessing something is going to happen to complicate the situation.

What a drag! Not only did Mark not pass through that wonderful oculus we saw yesterday, but Jules Rivera simply returned to using her standard “portrait tondo” for indirectly displaying the person speaking.

Shockingly, Mark is being especially reckless with his equipment, like an ignorant parent who puts a young child in the front seat. Not only is the backpack unzipped to expose its contents, but it is not even secured to the seat by a seat belt. It belongs in the trunk. Any hard turn, emergency stop, or even a big bump can send that equipment falling or bouncing around the front seat area. Some of that stuff could even interfere with Mark’s ability to safely operate his car. What an amateur!

And just look at this dude!(panel 3) Is he on Speed or Meth!? Egads! Reckless with equipment and sporting a maniacal expression that would scare a drunk driver off the road. All the while, he dispenses contradictory puns, to boot. All bad news. I wouldn’t let Mark come within a hundred yards of me. “Just keep driving, Mark. Maybe the State Police will pull you over, take one look, and lock you up.” So I question why Rivera chooses to make Mark act and look like this. If it isn’t drugs, is he channeling Jim Carey!?

Still, I wonder if Mark took the trouble to call on Ranger Shaw for backup or even just to update him on the situation?

Art Dept. Speaking of the interactive oculus portal, I think this strip would increase in popularity with a bit more of that weirdness. In the early days of animation, the early cartoons of Felix the Cat were inventive journeys into surrealistic fantasy, where any element on the screen, including exclamation points, could be grabbed by Felix and turned into whatever object was needed at the time. It was a dux ex machina strategy that made the animations more fun to watch. A bit of that could certainly improve this strip.

So the circle of cause and effect is complete, including the unusual oculus in panel 3, which is actually intriguing from a science-fiction angle. More on that, later.

But before all that, it’s good that this story is moving along at a rapid pace, since there isn’t really much depth or content at stake here. It’s a simple morality tale of what happens when somebody believes their actions don’t have the possibility of bad consequences. In this case, it is not simply disregarding posted safety warnings, but believing nature hold no dangers to those who choose to disregard them.

In the “old days”, natural disasters were usually credited to the capriciousness of deities by people who were trying to make sense of chaos. Or, in the case of this cave incident, Cricket Bro’s entrapment might have been seen as actions by trolls or demons pulling Cricket Bro down to the Underworld because he must have trespassed or transgressed some sacred or mystical law. Regardless of our scientific advances, people still do stupid things, and people still have unlucky accidents.

Art Dept. That oculus in panel 3 linking Mark and Cherry to what’s going on in the cave is something of a new element in this strip. Typically, we would see a kind of dialog balloon leading to the phone of the person talking:

But what we see in today’s strip is something more, something different. Something rather cool and provocative. First, the oculus (as I am calling it) is free-standing, without a visible connection to the phone. Second, Diana Daggers is holding onto the rim of the oculus, with her glove extending into Mark and Cherry’s space! Third, not only is Mark looking at the oculus instead of his phone, so is Cherry! It’s like a physical portal connecting one location with the other. One could imagine characters actually crossing between the two locations (I’m thinking Stargate SG-1).

I don’t know; I wonder if Jules Rivera has spent enough time and effort ensuring that this setup is as obvious and predictable as it can get. Well, as parody, I reckon this passes muster, if parody is the point.

But there must be other things Rivera could add … For example, Mark could go on “cave patrol” to be a visible resource and a “just in case” rescue resource as he moves around. Mark could also check in with Ranger Shaw and ask him if he’s noticed any special activity around the local caves. That might even give Shaw the motivation to do his job. I’m surprised that Mark hasn’t taken the trouble to install video cameras at local cave sights that he could monitor for any instances of trouble. Any of these could work to make him aware of what’s going on in Peligroso Cave. But as we know, Diana is going to call Mark, anyway. Now, wouldn’t it be interesting if Mark didn’t catch the call, because somebody was using a noisy vacuum cleaner!?

I may have to take Mark’s word about him being struck by lightning four times and surviving. I found nothing in my archives, nor in Mark Trail Confidential. Google AI has no information. If you know of any specific occurrences, post a comment.

Points to Diana for having enough sense to bring along some basic safety equipment. While the drawing in panel 2 doesn’t suggest a very long length of rope, I’ll give Jules Rivera a bit of artistic license in this case; within reason. But I’m surprised Diana expected to find places to attach a rope. So, how fragile are those stalagmites, anyway?

I do like the cutaway view of the cave in panel 3; it’s like watching an ant farm. But it is also a convenient technique for giving a panoramic view of the group’s progress.

Did anybody catch my literary pun in the today’s title? I don’t claim to be clever, but the phrase just popped out of my head, like Athena from the forehead of Zeus (ignore that allusion; it’s just my academic-era PTSD showing up again).

“Enough raving, more caving!” Catchy phrase, that.  Reader Hannibal’s Lectern made a good point yesterday that Diana Daggers has more leverage than she realizes, since she is the videographer. If Diana doesn’t go into the cave, Cricket Bro gets no video to prove his exploration. Well, unless he or his brother happen to have something like a GoPro on them.

Now GoPros are not known for quality work in lowlight situations. However, as we have seen before in prior cave episodes, caves surprisingly have plenty of residual light. And everybody has helmet lights, as well. I reckon we’ll find out tomorrow what Diana’s decision is going to be.

The cave seal has been torn asunder, so if Ranger Shaw does make the rounds he should spot the infiltration. Then again, Ranger Shaw has shown himself to not be the most dependable person in Lost Forest. So if disaster strikes, the explorers may have to rely on Mark’s “heightened forest awareness powers,” for discovery and rescue, as commenter be ware of eve hill suggested.

The lure of gag strips is almost always too much for Jules Rivera to ignore, so Rivera’s continued forays into humor wipe away any chance of actual drama or danger. Today is another good example of Rivera succumbing to her inner Peanuts. Too bad she wasn’t offered the job of taking over an abandoned, but still published humor strip, such as Get Fuzzy (in spite of the fact that it is published by a different syndicate).

But why stop there, when she could make a pitch for rebooting Peanuts. Or even Dilbert!?  There are precedents:  Numerous old gag strips have already gone through one or more reboots, such as Nancy, Gasoline Alley, Alley Oop, and Popeye.

And as it was foretold in the Book of Mark Trail, “She, too, shall cave…” Diana Daggers once again faces a financial crisis. But some of this is on her for continuing to associate with grifters and hustlers. So, into the cave they will go, as Diana thinks to herself how foolish she is for deciding that rent is more important than life.

Well, when they all get trapped—as this story seems to demand—I’m curious to see how anybody discovers them. I don’t think it will be Mark’s “Cave Rescue” antennae that start twitching. More likely, it will be Ranger Shaw as he makes his rounds and notices the ripped sign and footprints. Perhaps Mark will happen to be tagging along with Ranger Shaw asking if he knows anybody trapped in a cave and needing a rescue. It all fits!

Okay, the only real issue left, as far as I can tell, is whether Diana Daggers goes along with Heckle and Jeckle into the cave. What say you? Can this story even continue without her assent to descend?

Well, at least Diane Daggers has enough moxie to try to knock sense into the Bonehead Bros, for all the good it will do. The real question is what will she do next:  Leave or follow? Diana knows she is near Mark and Cherry’s cabin, but maybe it all depends on how much she needs the pay.

Anyway, I’m rooting for Cricket Bro to enter the cave. And I’m also rooting for the cave to not let him leave!

I might feel differently if Cricket Bro or the other regular cast of mischief makers had anything hinting at a personality greater than a single motive. But there seems to be none to be had. Wait. I take that back. Faux Professor Bee Sharp has displayed different attitudes and actions towards Mark over the years, both pro and con. More con than pro, I’ll grant you, but he does exhibit a bit of complexity. Cricket Bro, on the other hand, is just a superficial conman. He would not be missed. The least he could do is go back to Oregon and investigate some of their caves so we can have a different story. That’s not gonna happen, so put on your steel helmet and light, as this story is about to cave into catastrophe.