Well, this is an interesting set of panels today. Aside from the rather outlandish nature of the “jail cell” (which suggests there is not a lot of serious crime in Lost Forest), there are the once-again disappearing prison bars in panel three (previously brought to our attention this past Saturday by reader Obtuse Angle). Okay, it’s a curious visual convention for a purpose I do not quite understand. Was there a reason why the bar in front of Diana’s face, Saturday, was cut away, as there seemed to be no problem showing Mark and Cliff. And today, the only link is Cherry’s remark about Mark being cute enough. But the schematic style of his face in panel 3 hardly supports the need for this barless convention.

And speaking of faces, note Mark’s face in panel two, which is part of a visual flashback to his Florida adventure where he stole his father’s boat and played havoc in the marina. The significant point here is the style and detail of Mark’s head. It points back to the earlier months of Rivera’s work, when she was using a more naturalistic style, on top of the fact that she was also using more creative compositions and layouts, similar to what you could see in graphic novels. From my point of view, it is unfortunate that a lot of those features have been cut back or discarded. I’m guessing the pressure of keeping on top of her submission schedule has a lot to do with it.