“Cricket Bro deals Mark a crushing blow”? Huh? Did he kick Mark in the gonads? Although I generally support Rivera’s work, I do wish she would stop making Mark out to be some kind of temperamental, man-boy, especially when called really bad, hurtful, and obscene names like “nerd.” OMIGOSH!! The shame! I suppose one has to have standards, but for heaven’s sake, Rivera, what’s with this constant belittling of Mark and his inability to suffer any kind of criticism or jest? I wonder if he also just wet his pants? I’m surprised you don’t have Cherry stepping in to put Cricket Bro in his place.
Jules, please get away from indulging in so much of this kind of pointless and plotless soap opera slurry. And—“I beg your pardon!” is that bear bringing salmon to grill? Somebody grab some lemons!
“Sell NFTs”, Mark? I’m just a slow boy from Virginia, but it wasn’t too long ago that Cricket Bro was not only selling NFTs, he was creating them! Well, we have to keep in mind that Rivera created the two Bros and this NFT biz for the purpose of satire. I think.
There really are “NFT Influencers” all hyping the Metaverse, marketing digital products, and buying/selling NFTs. According to an information site (https://peertopeermarketing.co/metaverse-marketing/) “Gucci sold a virtual bag for $4115, and Digital Coutour sold a dress (also digital) for $9500.” Nike purchased a “digital collectables company” to create and sell (to real people) virtual sneakers for users’ avatars. I kid you not. This site is an interesting read.
So, what’s with the “lure them in” blather in panel 3? From what I’ve read, NFT Influences are more than happy to chat with you, work on your product or idea, and take your money. It’s why they exist.
I have no idea what Mark is visualizing in panel 3, do you? But I do know that this week is proving me right: Rusty’s adventure is a lot more interesting than this so-called business meeting. And how is it that Mark suddenly knows so much about harvesting crickets, anyway? That’s Rob’s expertise, right? Still, if we take the story at face value (the only excuse I have come up with), Mark makes a good point in panel 4. And that point reveals the scam. I’m thinking the Crypto Bros will want to spin the implication of Mark’s question a lot differently to keep their patron (Happy) satisfied.
So, Mark needs to visualize a granola bar just like Crypto Bro Jadsen Sterling needs to visualize a cricket!? Why do we care about that, anyway? I don’t think we readers have to wonder what a granola bar and a cricket look like.
Taking this story at face value, it isn’t too difficult to begin to see the scam element of this scheme. Even Mark seems to be nearing the Shores of Clarity with his last question, which certainly has hit a nerve with Jadsen. Either that, or Jadsen thinks Mark’s response is just a bad joke.
Ah well, we can only hope that Rusty’s story will at least continue on in the format of Cherry’s stories: 1 week for Rusty, and 2 weeks for Mark. So, gird your loins and settle in, dear readers. And it seems that the Crypto Bros are grilling at night! Is that even permissible!? I’m sure that Steven Raichlen must have some kind of rule about that in one of his books.
Regarding the current storyline, let me shout “NOW HOLD ON THERE!” Happy Trail is suddenly au fait with crypto terminology and related BS? Wasn’t he the grieving sad sack back in Florida, realizing he had been taken advantage of by his “new” family members? And here he is now, shilling for them, like some kind of TV infomercial tout at 2 AM. And Mark, who should at least have a modicum of understanding by now, once again reacts like the country rube he portrayed in his Palm Springs adventure with Reptilionnaire and Cricket Bro. Yet Mark was the one lecturing Pappy Happy on the dangers of NFTs, crypto, and block-chaining!
A few notes on the art: Some good, if subtle, touches in the art today: 1) the balcony seems to sport a semi-transparent wraparound, so the lower bodies of the people are realistically obscured. The panel shows a composition with the surrounding forest (except for the owl). In panel 2, the Bros and Happy are at the far end of the balcony and looking at us, like a faux “break the fourth wall” kind of thing. It simply means Mark shares our viewing angle. Nice concept!
It’s a sunny, but windy Saturday (as I write this recap). I should be working on my Italian or even taking a walk. Instead, I’m writing this and studying Italian. Probably not a good idea for either. But here we go…
Here began what I hoped would be (and still hope will be) the highlight of this current storyline: Rusty’s hunt for the Seaside Specter. This week we saw Rusty take off in the woods at night, on his own, only to be corralled by a pursuing Cherry. She insisted he bring along a walkie-talkie while she “hung around” the woods, looking for edible mushrooms. Rusty continued on his path, hardly going very far when he saw something down the path that he immediately thought might be the specter. He fumbled with his pack to don the mask his Aunt Olive lent him (to protect his eyes). After putting it on, he started complaining about his eyes(!) and then everything went bad. He hollered for Mommy, who immediately showed up and suggested they return to the house to eat mushrooms and have a rethink. What a disappointment.
Is this the end of Rusty’s adventure? I hope not, because the other so-called storyline with Mark, Dad, and the Goofball Bros is less an adventure and more of a business meeting (YAWN!). And heaven forbid if one of those Bozo Bros volunteers to accompany Rusty on another attempted hunt. Yet, I suppose it could add some madcap action to a story that still has not gotten off the ground. Something needs to happen, and soon. But we won’t know anything until at least Monday. For now, time to relish the Sunday nature chat. (BTW, I did go biking this morning, so there!)
I don’t suppose Rivera is going to win over viewers sliding in some social gender typing, and I’m not sure it scientifically applies here. However, I don’t think Rivera cares. The term “crab” is not really fluid, just too often used. I’ll stand corrected on that, if necessary.
Mark’s discussion of crab evolution is interesting and something new to me. I also found it interesting (with some futhter reading) that young crabs go through lots of molting stages on the way to adulthood. The process takes a long time and is neither simple nor free from danger. In fact, while attempting to escape from its old shell, a molting crab can be caught betwixt the shell and the deep blue sea and die! Crabs also have a complex and populous taxonomy, with some 7000 species, if I’m reading the data correctly.
The poor dear! At the first sign of possible danger, our intrepid “Hardy Boy” turns to mush and wails for his mom to rescue him. Correct me if I’m wrong, but I don’t recall that the old Rusty freaked out so early on in his Mexican adventure, at least not until near the end. But then again, That Rusty had a partner.
Okay, this must mean another plot twist is being thrown in. Rivera must not think Rusty has enough personality to keep readers’ attention on his own, so he is going to get a partner, I suppose. If true, I think it is a mistake. Give Rusty just a tad more maturity and reasoning and he’d be golden.
If this was Mark or Cherry, we’d be pretty pissed, I think. But I think it fits right into a kid’s imagination. Now, as far as what Rusty sees, I suppose the reality is it could just be a malformed tree or some other inanimate object; actually, the Seaside Specter; or worse, somebody pretending to be the Seaside Specter, which would humiliate Rusty. I’m hoping it isn’t one of those boring people back in the house thinking this would be a fun prank to play on the kid.
The art has been okay the past several days, though I’m still not sold on this flattened style, where there is virtually no effort at shading, hatching, or other techniques to suggest solidity or even light and dark. This visualization becomes even starker when the strips are viewed in their B&W newspaper format. The online coloring really influences the panels in a way that softens the starkness of the lines. I suppose a good question is whether Rivera envisions this comic strip as inherently B&W or as a color strip that has to be unfortunately printed in B&W.
I reckon seaside property values have skyrocketed so much that the Seaside Specter had to relocate to the river. But where? The Columbia River is over 1200 miles long, and Portland is only along a small portion of it. Portland is 60 miles from the Pacific and 100 miles by river to the Pacific. That’s a lot of ground (or riverside) to cover. But why spoil things for Rusty? Kids should get to have real adventures, not just the kind you get on a phone. Fortunately, Rusty is used to the woods.
But what will you do if you spot it, Rusty? Did you bring a net? A stun-gun? A camera, even? Are you going to interview it for your vlog? Or, like your dad—who never seems to have a camera when on the job—will you rely on your memory and imagination to record your adventure?
Clever! Cherry picked a middle course of action. Question: How did she just happen to have a set of walkie-talkies? I think Rusty will go with the “or so” option for communicating with Mom, right?
Cherry takes a “Dagwood” (or a George Burns ) pose to commiserate directly with us. I think a lot of readers are already there.
Rusty’s neck in panel 2 is improbably long and skinny (as has been observed and commented on with other characters). Perhaps, though, it could be there to emphasize Rusty’s surprise reaction to see the walkie-talkie. But then again, I’d expect to see some supporting accent lines, as with the walkie-talkie.
As frequent reader Daniel P. acutely pointed out, Rusty’s adventure plot seems to roughly parallel that of Mark’s adventure with Dr. Camel’s search for The Yeti (see our September 2019-February 2020 archives). That is, both involve a search for a fictitious but believed creature. Reviewing the Yeti story reminded me of the talking heads clipart style that Allen favored. To give it its due, Mark’s adventure had plentyof action, frequent Mark outbursts, and a woman who could not make up her mind about him. On the other hand, the expedition seemed pointless and settled nothing.
Rebooting story ideas is hardly new in the history of Mark Trail adventures. What is important here is whether Rivera can carry it off. Because the protagonist is a minor and not a deluded adult, I think this story has a more plausible foundation. But that won’t be enough if the story does not contain enough action, suspense, and a decent resolution.
But Rivera immediately throws a monkey-wrench (momma-wrench?) into the adventure, just as it begins. I suppose we could see Cherry’s presence as a plot twist, in which she either gets involved or Rusty finds a way around her. Tune in tomorrow!
Well, OKAY! Not a moment too soon. Let’s hope that Rusty’s story has more excitement and suspense going for it than what’s going on inside the house with “the adults.” Not a high bar to get over. At this point, I think we all would rather be on the hunt with Rusty. Anything to stay out of that house!
Furthermore, let’s hope that when Rusty’s adventure ends, “the adults” will have finished their boring business and the Trails can then fly home.
One Big Happy Family! Another week flies by. And speaking of flying, we all spent this past week in Jadsen’s van, toting the surprisingly compliant Trail family from the airport to a location that was never brought up and never asked about. While Cherry had concerns, namby-pamby Mark said they should just go along for the ride and see what happens. Halfway through the trip, through the magic of comic strip magic, Cricket Bro suddenly revealed himself in the shotgun seat! Apparently, the Trails didn’t notice him when they all piled into the van. Real observant people, those Trails. Cricket Bro proceeded to humiliate Mark some more by telling him how Pappy Happy happened onto him and Bro Jadsen on a beach where they hit it off so well that Happy made a business deal with them and admitted he thought of them as family. This heartwarming scene took place at some point in the past, during the time Mark was ignoring his father (see Rivera’s first Mark Trail story in our archive for details. It starts in October 2020). Of course, Happy didn’t bother to tell Mark about this arrangement back at the Florida cookout.
But if you remember, we did see clues of the relationship during the cookout sequence, where Mark was being made fun of, and was called “Markey”, the same nickname Cricket Bro taunted Mark with during their Palm Springs adventure.
Anyway, the Trails finally arrived at Jadsen’s house only to discover that Happy Trail somehow got there ahead of them! More comic strip magic. Happy confirmed his affection for the brothers, even though Mark had previously revealed—back in Florida—that the two brothers were scamming him. Now, Mark’s self-respect and self-worth hit a new low. Speaking of Low, will this story ever getoff the ground?
Rivera gets top marks for her title panel. Well-conceived, with nice compositions! The topic, itself, is also well presented, even though Rivera insists upon using the metric system. If she would also include the common English system for comparison, the ignorant among us (ahem!) would have an idea how tall 80m is. Still, today’s strip provides good information. I’m sure there is the root of a truly interesting Mark Trail adventure here; and it would certainly be more interesting that the storyline we’re currently plodding through.
I wonder if that gray squirrel is looking out at us thinking “Yeah, I like nuts, but these nut-jobs are sending me to the hospital. Blech!” So, how did Pappy get out here before Mark, and early enough to be waiting at Sterling’s house? Why not just fly out with Mark and family?
Next, how is it this new “family” relationship was not brought up when Mark and Rob met up in California? Nor brought up by Pappy back in Florida?
Next, was this meeting with Happy supposed to be a surprise for Mark? What’s the big deal?
And what’s with Happy, anyway? One moment, he’s upset that Cricket Bro and Crypto Bro took advantage by engaging him in activities harmful to the environment. Now, he’s happily embracing them like they really are his sons. Well, if this is all part of the Big Act by Mark and Happy to fool and destroy the two Surf Bros, they’re doing a great job, so far. Otherwise, I’m with Squirrel Bro.
Last time I checked the Oxford English Dictionary, the sound of a hand hitting the face is spelled “S-m-a-c-k”, Smack. “Smak”, on the other hand, is what somebody says when spewing BS to somebody or about somebody; as in “talking smak.”
If you’ve been keeping up, you’re doing better than I am in my Italian class. We’re still in the van, listening to the Jerk Bros and wondering why Mark agreed to this ride. Does Rivera hate Mark Trail? Or what he stands for? I think that is what a lot of Trailheads probably think, since Mark is almost always made to look and act like a hothead and a sucker. At least, that is the vibe I’m getting.
“That’s right, Mark. Good ol’ Dad felt so bad not hearing from you that, after screwing over his friend and neighbor, Jolly, Happy just had to travel all the way to Oregon and drown his sorrows on the beach, only to run into Rob and Jadsen. One big ‘happy’ family, eh? Seems like ‘Sucker!’ is a family trait. But I sure understand their dad cutting them off.”
This would be a pretty good time for Mark to exercise his so-called “Fists Of Justice” on Rob and demand some answers. I doubt that will happen. Frankly, his FOJ outings have been weak.
The thought bubbles that connect panels 1 through 3 provide a nice visual lead-in to the flashback, though I’m stuck wondering whyCricket Bro feels compelled to discuss this incident with Mark and Cherry. Did this event take place after he and Mark were school mates? Because the flashback suggests it took place on the coast (i.e. California or Oregon). Maybe not a big deal, anyway.
Okay, we have two parodies of nouveau entrepreneurs: Young, aggressive, rich, narcissistic, and amoral. Like Mark Trail villains of the past, these two have “Punch Me!” labels stuck on their foreheads. The question is whether Mark will be the agent of humiliation or Cherry. But I suppose it can be a team effort.
So, let’s move on, shall we? We’ve seen enough of their backstory. No reason to beat it to death, like the backyard barbecue that took three weeks to cover. It’s now Thursday, so there are just two days to get the Trails settled in. Wherever that is. After all, Rusty has to break out of his non-essential “extras” role and then get into his co-starring role to go hunting cryptids.
So, Mark disappointingly flaunts the impotence of his famed Fists O’ Justice and demurs over upsetting the feelings of The Scam Brothers. One has to ask: Why!? What is going on here?
Whyshould Mark keep quiet about a kink in the eco-armor of Jadsen Enterprises? Seems to me that, with all of the passivity and weakness that Mark has been showing so far, he would want to try to balance the scales a bit in his favor. No?
But for the sake of fairness, let’s consider: Is Mark’s behavior a deliberate strategy to only seem complacent and appear weak in order to throw off the brothers, until Mark suddenly turns the tables at the right moment? Well, we have not seen this strategy in his other stories (not even in the old Mark Trail). On the other hand, Mark might just rely on his usual emotional improvisation and extra-legal behavior to save the day.
Hey, onegood thing that could come out of this: Let’s hope that Rivera alternates Mark and Cherry’s storyline with Rusty’s adventure, just as she does when Mark and Cherry have their own individual messes. At least, Rusty’s story has the potential for real fun and mystery.
I was thinking of the 1950s Superman TV show. As a very young boy, I thought he was amazing. But by the time I was 7 or 8, I was a savvy TV watcher and started noticing details: Nobody worked at The Daily Planet except for Clark, Lois, Jimmy, and Mr. White. Superman’s muscles were just padding; everybody had to be really stupid to not see that Clark Kent was Superman. He had to keep rescuing Lois Lane and Jimmy Olsen when they kept getting themselves into stupid traps. Superman also wasted too much time chasing down third-rate crooks and crackpots. Of course, I was not savvy enough to understand story development for kid programs was not important.
Once again, we see that Mark leads with his head and acts like Jimmy Olsen. Leave it to Cherry to have at least a lick of common sense, even if it is too late. But as for her concerns about the environment, Cherry, you just flew across countryin a giant jet airplane! Show some humility! At least Rusty is wise enough to tune out the “grownups.”
But who is that sock puppet poking his head around the seats in panel 3? Oh, my lord, it’s Cricket Bro. Is he behind Mark? Where did that extra seat come from? If he is in front of Mark, why is Mark looking back? Andhow did all three Trails get into the van without noticing Cricket Bro was already there? Never mind that Cricket Bro looks and acts like he is Rusty’s age. It’s all too much.
Although this storyline has potential, the execution does not give us a lot of hope.
You know, it’s so easy to fall into just plain snarking. I have to control myself! Nevertheless, I wonder:
Why are the Trails riding with Jadsen in the first place? That certainly was not in the original plans! Yet, they didn’t seem to put up a fight at the airport.
Why are they staying at Jadsen’s “Oregon mansion”? Wouldn’t they have already made plans that involved reserving a hotel or house? And maybe a car rental?
Why is the traffic in panel 1 on the left side of the highway? It doesn’t look like the comic syndicate accidentally reversed the panel. Didn’t anybody bother to look? Is it supposed to be symbolic?
I get that Rivera designed Jadsen as a ludicrous parody figure, like his brother. So, are Jadsen’s “rose colored” glasses a pun of his mindset? Or does Rivera just like that color?
“Make it weird”? So, whynot bring up the logging mill with Jadsen!? What does Mark owe this Jadsen jerk, anyway? Who cares if he gets uncomfortable?
What the hell is that expression “Van life!”? Are we supposed to believe Jadsen lives in his van or does extensive traveling around the country in it? Or is he just being a fool who thinks driving a van constitutes a life style?
Cherry, Mark, and an unseen Rusty spend the week flying cross country to Portland, OR. Along the way, Mark is fixated on the mysterious stepbrother of Cricket Bro, who goes by the gold-plated twit’s name of Jadsen Sterling; so much so, that he leaves a slice of pie Cherry brought along unfinished, as he searches the Internet for information on Sterling’s business interests. After the Trails enter the terminal, a person who looks like a younger brother of Svengooli appears, identifies himself as Jadsen, and says he is their ride. What ever happened to the actual vacation, itself, seems to have been put aside. Rusty, who had been invisible for the flight, made a brief appearance (I think) in a long shot of the Trails’ arrival in the terminal. That’s pretty much the activity for the week. I won’t rehash the details of my diatribe on the art, though I probably should have just posted them all here, instead. You can scroll down to read the prior posts, if you like. Even though I do have concerns, I still support the strip’s general direction. I still believe that many of the changes Rivera has brought into the strip are a positive contribution (including the imagery), but they are endangered by the appearance of artistic inconsistency, sometimes weak plotting, and an over-indulgence in self-parody. We’ll have to see how Rivera—now in her second year—manages to overcome them. That’s assuming she also believes there are issues to resolve. Otherwise, on to the Sunday strip, which seems to enjoy more consistent output:
Okay, if Mark is only talking about the Western Gray Squirrel, I’ll buy the “forest” argument, because just every other kind of squirrel can be found just about everywhere, including cities, suburbs, and my wife’s bird feeders. The art in the Sunday panels tends to have a more consistent quality than the dailies. A practical reason for this is the size of the Sunday panels, both in the original format and published format, is larger than the dailies. But that’s not the whole story. Part of the difference is that Sunday panels are not linked to the dailies, so story continuity is not an issue. Also, I’m not going too far out on a limb here to think that Rivera might simply enjoy drawing Sunday more than the dailies.